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Print Buyer Pulse Index: 2003 Will Not Be Any Worse, May Be Better custom gifts business office supplies Wrapping It All Up ,”””Too Good”” Was (Almost) the Phrase for Print Production Technologies at Graph Expo (Part 1)”
By Patrick Henry “interstice (in•ter•stice, in•ter•stic•es), n.: a place, especially a little or narrow one, between things or parts.” October 6, 2004 — Sandwiched between drupa last May and Print ’05 next September, Graph Expo 2004 can’t help getting an interstitial quality. This isn’t to deny how the show is really a floor-space sellout (it was true weeks ago) or that attendance is virtually certain to get heavy (nobody appears to get betting resistant to the Graphic Arts Show Company’s confident prediction of 40,000 visitors). If there exists to be considered a narrowing, it are going to be certainly one of focus as being the bigger exhibitors squeeze their drupa panoplies into Graph Expo’s smaller space and shorter timeframe. With a watch within the greater demands of Print pick up, some ones are husbanding their resources for an extent that may restrain a bit with the energy that marks Graph Expo in years in the event it isn’t bracketed by mega-events.’s traditional pre-show survey of press equipment exhibitors revealed some with this restraint. A press manufacturer that always stages a media briefing to spread out the show has cancelled the exercise this time around, noting (correctly) that many journalists have covered its major announcements for your year at drupa. Others are limiting their booth displays to static printing units and multimedia presentations, sparing themselves a high priced second round of transporting, erecting, and tearing down complete presses. As an executive of one among these manufacturers told us, “We did our blowout thing at drupa.” Active volcanoes like Mount St. Helens might have enough pent-up energy for over one blowout thing per annum, yet not display exhibitors. The benefit from these scaled-down presences is the fact in 2010’s show offers visitors a thorough but very manageable way to determine the length of time conventional press technologies have advanced since the past drupa-Print conjunction in 2000-2001. The 13 press manufacturers who briefed us on their own exhibit plans have spent the intervening years thinking about very little else besides the best way to make good equipment better: more automated operational; more flexible in capability; more consistent in quality; and, first and foremost, more adaptable to changing print market demands. All with this progress will likely be entirely view within their booths at Graph Expo, which includes not even attempt to apologize for to be a learning expertise in or out on the shadows of drupa and Print. We’ll be reporting on these advances in depth from McCormick Place a few weeks. In the meantime, here’s a secrets and techniques for a number of what’s worthy of the attention inside the press section in the hall. Akiyama International Corp. (booth 2061) Visitors will must delay until Print ’05 to the next equipment display by Akiyama, containing elected not to take machinery to Graph Expo. The company will, however, conduct daily, round-trip tours to your customer site located about half-hour from McCormick Place, the place that the attraction is often a newly erected, six color Bestech 40 sheetfed press with coater. (Inquire on the booth for reservations.) Presses within the Bestech series feature oversize impression and transfer cylinders for clean, precise printing. Their inker-dampener and feeder-register-infeed systems are engineered in short-run productivity at high speeds, as outlined by Akiyama. At the booth, a 50 video screen will deliver visitors a multimedia guide to Akiyama’s eXtreme 440, a professional, 16,000-sph sheetfed press that premiered at drupa. The presentation can also cover Akiyama’s J Print multicolor perfectors as well as its solution for CIP3/CIP4 connectivity. This can be a blend of closed-loop technology by X-Rite and software from Colortonics that, in accordance with Akiyama, enables its open-architecture press controls to hyperlink to prepress data from any source. Drent Goebel (booth 2978) To cognac fanciers, the appellation VSOP means “very superior old pale.” To Drent Goebel, it is just a toast to presenting received exclusive European and North American patents to Variable Sleeve Offset Printing technology—the core of the presentation at Graph Expo. Drent Goebel is Dutch-German enterprise using a 150-year heritage from the progression of rotary web offset presses. VSOP technology, the organization says, now brings all in the attributes of printing with length-variable sleeves to offset production. On Drent Goebel presses with VSOP, printing cutoffs is usually adjusted to the length within range by changing only two lightweight sleeves. This feature, according to your company, gives offset printing the dimensional variability of flexo and gravure and lets offset printers run an incredibly broad choice of stocks—paper, P/S, films, foil, and cardboard—around the same press. At Graph Expo, a printing tower coming from a VSOP 850 mm (33.5 web width) press will likely be the show-and-tell device for interested visitors. VSOP presses also can be obtained in web widths of 520 mm (20.5), 1,120 mm (44.1) and 1,250 mm (49.2). Video presentations offer info on Vision, a shaftless, short-makeready web press; and Novaprint, produced for high-volume web work. Goss International Corp. (booth 2079) Goss isn’t a newcomer to Graph Expo, even so the company will delight in something of any debut in 2010 as the revolutionary proprietor on the products on the erstwhile web division of Heidelberg. That acquisition, completed earlier this coming year, gives Goss—most common being a manufacturer of newspaper presses—an account within the commercial web market with equipment that continues to get assembled for the former Heidelberg factories in Dover and Durham, N.H. Goss says it has become ready to make available just what it calls the market’s broadest array of specialized commercial press and postpress systems and services for web offset production. It will advance this claim at Graph Expo which has a static display of an printing unit from the Sunday 3000/32 press—precisely the same unit presented by Heidelberg rolling around in its introduction with the 3000/32 at this past year’s show. Three from the presses now will be in operation from the U.S. The 3000/32’s two-by-eight cylinder configuration can print 32 A4 page impressions per cylinder rotation. That provides the press a 72 web width which could print magazine-size pages at speeds around 100,000 impressions each hour. Aided by Goss’s gapless blanket technology, the 3000/32 is alleged to get two to 3 times more productive than conventional 16-page webs. Goss also equips the 3000/32 with pinless former and combination folders and also a selection of press controls. Goss, that acquired Heidelberg’s high-volume postpress production, will represent that part of the portfolio by running a couple-station illustration showing servo-driven (i.e., independently motored) hoppers with the Pacesetter saddle stitcher. A video display will promote the Automatic Transfer (AT) feature for Goss Sunday 2000 presses. This option is thought to permit on-the-run version changes or complete four-color job changeovers without stopping the press to get a conventional makeready. Goss will speak about its DigiRail digital inking system. Grafitec America (booth 1472) Grafitec America may be the U.S. distribution arm of the press manufacturer that may be based inside the Czech Republic but wholly belonging to an American investment group. At Graph Expo, the corporation will exhibit a five-color, 20 x 29 Grafitec Polly Prestige sheetfed press with automated features including plate changing, washup, and remote register with cocking. The press, which can help a CIP4 workflow, includes a Grafitec convertible dampener/coater from the fifth unit. The Polly Prestige line can be available by 50 %-, four-, and six-color configurations. Halm Industries (booth 3666) Halm makes envelope presses: small-format machines developed to produce hundreds and hundreds of envelopes each hour by 50 % or four colors. The presses, which are prepared for both standard and irregular pieces in sheet sizes ranging roughly from 3 x 4 to 18 x 15, have several features built to support simple operation and uninterrupted production. The machines that Halm will create for inspection in McCormick Place are definitely the Jet Press Plus XL, a 2-color, 50,000-iph perfector with radial axle cylinders which allow adjustments as the press is running; the Super Jet Press Plus XL, for 2-sided, 25,000-iph printing of sheets in the top end of Halm’s size range; and also the Envelopemaster 4000, a pc controlled press that may print four colors on either side at 30,000 iph. Also on display will probably be the ColorMatic ID-2500 ink dosing machine. This unit, in accordance with Halm, reduces ink waste and enables printers to blend precise quantities of ink—including really small, end-of-the-run amounts—by extracting and dispensing every drop from the can. Heidelberg (booth 1000) Although some may question Heidelberg’s exit on the digital print and web offset markets, your decision, in the point of take a look at Graph Expo planning, would be a handiest one: it left every one of the more room for flaunting sheetfed equipment, now as ahead of the company’s hallmark products. Heidelberg needs to have no trouble colonizing its 40,000 sq. ft. island together with the eight sheetfed presses it’s got selected for that show, including three machines in configurations first seen at drupa. In a gesture of the deepening interest inside package printing market, the corporation may also show a superior-speed die cutter. The “drupa 2004 Generation” machines would be the latest members in the renowned Speedmaster family. The Speedmaster SM 102-10 PC2S is billed like a top-quality, ergonomically refined, highly automated perfector with extended preset functions that reduce setup work to your minimum. The Speedmaster CD 74, provided with or without perfecting in 20.87 x 29.13 and 23.82 x 29.13 formats, was made with the long runs and high speeds of business package printing. Also created for package printing, the 27.5 x 39.4 perfectors within the Speedmaster CD 102 series incorporate new feeder and delivery systems and coating unit innovations. Also awaiting review for the Heidelberg stand undoubtedly are a couple of Quickmaster QM 46-2s: one with inline perforating and numbering and another with specially engineered guards. Heidelberg will reassert its dedication to direct imaging presses by displaying the 13.38 x 18.11 QMDI 46-4 Pro. The Printmaster PM 52 along with the Speedmaster SM 52 six-color perfector with coater will demonstrate what Heidelberg equipment are able to do within the 14 x 20 size range. The Dymatrix 106 CSB die cutter and embosser, being introduced on the North American market at Graph Expo, works with materials from 4 pt. paper to 60 pt. solid or 160 pt. corrugated board at speeds of nearly 9,000 sheets 1 hour. Its maximum sheet size maximum sheet sized 29.92 x 41.73 is usually optionally increased to 32.28 x 44.49. KBA North America, Sheetfed Division (booth 1054) At drupa, KBA distinguished itself with the ample display of technology for exactly what it called “industrialized” printing: an automatic, self-regulating manufacturing process centered upon the intense mechanical sophistication of KBA presses. Visitors to Graph Expo can judge KBA’s capabilities on their own by examining two pieces of apparatus direct in the German show: the Rapida 105 plus the Genius 52 UV. Configured for Graph Expo in six colors plus aqueous coating, the 18,000-sph Rapida 105 includes a motor-driven, shaftless feeder along with an optional sidelay-free infeed by which the lateral movement with the advance cylinder eliminates a speed-inhibiting action from the side guide. The machine can print stock from 0.06 mm paper to just one.2 mm board and could possibly be equipped together with the Qualitronic II inline sheet-inspection system; video register; Densitronic closed loop color control; and ink-temperature control for max print quality. A single, central impression cylinder, an anilox short inking unit, and UV inline drying encourage the Genius 52 UV, a waterless offset press, to print on stock as much as 32 pt. additionally, on synthetics for example PVC, PC and ABS. Capable of printing a regular 20 format with CTP or analog plates at approximately 8,000 sph, the press also features automatic plate changing. KBA says how the press, designed for starters-person operation, may appear approximately color with merely a few waste sheets. KBA can’t transplant its entire drupa exhibit from Düsseldorf to Chicago, nevertheless it will promote the tools it wouldn’t bring by displaying over 25 sample sheets readily available presses. Also being seen with the KBA stand is usually a special presentation on printing RFID (radio frequency identification) tags inline with conductive inks. Komori America Corp. (booth 1066) When is usually a press not only a printer’s best ally, but a “necessary evil” or maybe a “thief stealing stealing revenue right beyond your pocket”? When it’s the form of outmoded, non-integrated equipment that Komori is urging printers to exchange with Komori presses to use new “Rethink” marketing plan. This provocatively themed advertising and direct mail crusade, timed to coincide with Graph Expo, advises printers that Komori machines belong of their pressrooms because Komori “spends a wide range of time designing your organization into our presses.” Next week, printers will quickly realize out if they could see their businesses by 50 percent Komori machines following up their world premieres at drupa making use of their U.S. debuts at Graph Expo: the Lithrone S40 along with the Spica 29. The Lithrone S40, to get shown being an LS640P in six colors, is often a 28 3/ 8 x 40 9/ 16 perfector which could print at approximately 15,000 sph both in perfecting and straight mode. Komori says the LS640P’s double size, three cylinder perfecting mechanism plus the design of that delivery system eliminate marking and scuffing. Its automated plate changers can transform six plates in three minutes, in accordance with Komori, containing also equipped the press featuring its “Color Connection” software suite for ink-key setting and also on-press color management. The LS640P additionally will likely be a demonstration platform for your ICS Remote Director SWOP-certified soft proofing solution. Billed being an beginner’s press for printers breaking in the four-color market, the Spica 29 can be a 20 7/ 8 x 29 1/ 2 convertible perfector for 4/0 and a pair of/2 act on speeds as much as 13,000 sph and 11,000 sph, respectively. Perfector changeover is fully automatic, similar to pre-inking, Komorimatic dampening, and also other functions. Komori can have the Spica 29 that has a Screen PlateRite 4300 platesetter being a solution for when needed printing. MAN Roland Inc. (booth 1017) The cynosure of the eyes with the MAN Roland stand is for certain for being the Roland 700, a 41 press which the company make use of, mainly because it did at drupa, as being a showcase for most of their innovative technologies. The Roland 700 is usually configured in 2 to 12 printing units with perfecting, is actually or without single or double in-line coating. It is usually available inside a model that positions the coating and drying modules ahead of the printing units for tricks inline. With its top running speed increased to 16,000 sph, the press involves Chicago designed with in-line components including a double coating module, sheeter, sorter, embosser, and foiler. Everything will operate in the video-driven gaze of the brand new EagleEye sheet inspection system. The Roland 700 optionally can include a bundle of makeready-accelerating modules often known as QuickChange. MAN Roland says these particular automation enhancers, controlled on the press’s PECOM console, help it become possible to reduce makeready around the next-generation 700 by 30 % vs. previous models. A static Roland 700 printing unit will probably be employed to demonstrate a continuing development how the company calls Direct Drive: a means of powering a sheetfed printing unit’s plate cylinder having its own high-torque motor. According to MAN Roland, decoupling motor-driven plate cylinders on the press’s main drive helps it be possible to switch all plates simultaneously; complete plate changing and washup within the same cycle; making black plate changes without stopping the press. DirectDrive could be put on on-the-fly changes in the reimageable printing cylinders utilised in MAN Roland’s DICO plateless printing technology. Mitsubishi Lithographic Presses (MLP U.S.A., Inc.) (booth 3618) Repeating its drupa engagement in Chicago will probably be Mitsubishi’s Diamond 3000TP Tandem Perfector, a 28 x 40 press that may be ordered in configurations up to six/6 with aqueous coating and IR drying. Mitsubishi says that since the 3000TP’s Translink Unit maintains a similar gripper edge, the press can print both parties at 13,000 sph without reversing the sheet. The press handles stock thicknesses around 24 points or around 32 points. At Graph Expo, the Tandem Perfector will add a spectrophotometer-based closed-loop color control system, with Mitsubishi’s ColorLink CIP4 server transmitting makeready data from electronic prepress for ink presets. Several remote workstations will let visitors see the MIS workflow mainly because it captures production data and job-status information. Muller Martini Corp. (booth 1447) Muller Martini’s prominence being a vendor of postpress equipment sometimes overshadows its equal leadership in manufacturing variable-size web offset presses. There will probably be two notable reminders from the company’s credentials in web offset at Graph Expo, both of those making their North American debuts: the Alprinta, to become seen being a printing unit; plus the Concepta, which will probably be shown in live, inline operation having a digital press. Available in formats from 20 to 34, the Alprinta is created for versatility in commercial , direct mail, flexible packaging, and label printing. The press operates at the top speed of a,500 fpm and might be fitted which has a number of inline finishing modules for single-pass productivity. Mechanical assets incorporate a four form roller ink train and direct servo drive with the printing units. The press has an automatic makeready system and is also, says the producer, fully JDF/CIP4 compliant for computer integrated manufacturing (CIM) applications. To start to see the Concepta doing his thing, visitors must go on a detour on the Nipson exhibit in booth 3360. There they will notice the Concepta printing two-color direct mail pieces which might be streamed directly to some Nipson VaryPress 400 digital press for inline personalization of the offset preprint. Muller Martini’s half on this conventional/digital duo is really a 1,200-fpm machine that is usually configured in as much as 12 units for formats from 14 to 28 1/ 3. It features precision inking controls and supplies the choice of individual drives for your inking units, enabling simultaneous plate changing. Muller Martini says that much like the Alprinta, the Concepta is ready for CIM being a JDF/CIP4 compliant press. RDP Marathon Inc. (booth 2479) This Montreal-based developer of variable-size web presses says so it has chosen make use of Graph Expo not being an equipment venue but just as one chance “literature meetings” along with other varieties of sales-building interactions with customers. Visitors will discover that RDP Marathon incorporates a variety of interesting what to discuss, such as North American release of the LS•100 packaging press—a 38.5 web which uses offset sleeves rather then conventionally mounted plates. RDP Marathon calls its sleeve technology SOLID (Sleeve Offset Lithographic Independent Drive), wherein each sleeve insert is equipped that has a single drive servo to own the plate and also the blanket sleeves by having a common gear train. This assures synchronization, while a precision mounting system minimizes the printing gap to deliver the most significant possible printing area. SOLID technology enables the LS•100 to operate infinitely variable cutoffs from 24 to 36 at speeds approximately 1,500 fpm, in line with RDP Marathon. SOLID also advantages the LS•68 26.5 web. Sakurai USA Inc. (booth 3416) Sakurai is making the short journey to McCormick Place looking at the Schaumburg, Ill. headquarters introducing two new classes of kit, the press series 66 and 75. The 66 SI/SIP series is configurable in four to five colors, with or without perfecting. A coating unit with extended delivery also can be acquired. Sakurai says how the five-color version, the 566 SI with coater, comes standard using a pair of features that produces the press fully automated with an affordable price. Maximum running speed is 15,000 iph. According to Sakurai, the dimensions and productivity in the presses to use 75 series will enable printers running traditional 40 presses to downsize to smaller equipment that could reduce their costs making them more competitive from the half-size market. The 75 series’ three-quarter (23 5/ 8 x 30 1/ 8) sheet size permits six-up 8 X 11 layouts, says Sakurai, so that it is possible to perfect or work-and-tumble three-panel jobs with bleeds and color bars. The combination on the six-up format as well as the series’ 15,000-iph running speed bridges the gap between traditional half and regular size market, as outlined by Sakurai. The presses offer the full group of automated features and are also accessible in four-, five-, and six-unit configurations, with or without coaters. ,publish a book publish books My project was supposed to get a blank postcard back, but I made itself known yet “page 2” with the template, along with the image of your traditional postcard – message to your left, address towards the right. I clicked within the text button and also a text editor showed. I added a copyright notice for the lower left side. I was capable of affect the font and move the writing element around quickly. , Don’t count on automatic pilot ,print labels tissue wrapping paper We recently had the possiblity to catch track of Steve Young, President of AICC, and asked him to share with you his thoughts throughout the mission of AICC, the role of AICC, as well as the opportunities and challenges facing their members. ,